"Outdoor study was as different from studio study as eating is from drinking … Sketching outdoors was a fluid process, half looking, half dreaming, awaiting invitation from the spirit of the subject to 'come meet me half way'. Outdoor sketching was as much longing as labour. "
Emily Carr

Emily Carr with friends and caravan “Elephant” on sketching trip, 1934 Photograph by Mrs. S.F. Morley British Columbia Archives, B-09610
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